(b. 1991, Berkeley, California), lives and works in London, UK. In 2018 she graduated with distinction as an MA In Painting from Royal College of Art, London, and graduated Magna Cum Laude with a BFA in Painting from Maryland Institute College of Art in 2013. Solo exhibitions include: 'Encounters', Huxley-Parlour; London, UK (2022) ‘REALMS OF THE [UN]REAL’, PUBLIC Gallery; London, UK (2019) Selected group exhibitions include ‘John Moores Painting Prize Exhibition’, Walker Art Gallery, Liverpool, UK (2018); ‘Bloomberg New Contemporaries’. South London Gallery, London, UK (2018); ‘SURGE’, East Wing Biennial 13, Courtauld Institute, London, UK (2018); Sholto Blissett, Emma Fineman, Madeline Peckenpaugh; Alexander Berggruen Gallery; New York City, NY, US (2021) Liminal Spaces; Galerie Isa; Mumbai, India (2022) Birdsong; Timothy Taylor; London, UK (2023), Dreaming of Eden; Timothy Taylor; New York City, NY, US (2023), and Across The Pond: Contemporary Painting in London; Eric Firestone Gallery; New York City, NY, US(2024)

Fineman’s works have been selected for several prestigious awards including the Presidential Fellowship Grant; Anderson Ranch Arts Center; Aspen, CO  (2013), as well as the Harley Open Judges Prize; Welbeck Estates, Harley Museum and Foundation; Nottingham, UK (2017), the London Bronze Editions Prize; London Bronze Casting; London, UK (2020), New American Paintings Pacific Coast Competition (2020), and as a finalist for the Hopper Prize (2021). She has been granted residencies at the Vermont Studio Center; Johnson, VT  (2013), Anderson Ranch Arts Center Residency Workshop; Snowmass, CO  (2013) Palazzo Monti Residency; Brescia, Italy (2019), and The Porthmeor Studios, St Ives, U.K (2020 and 2024) among others. Fineman has been included in publications such as Juxtapoz, Medium, Artforum, Hyperallergic, ArtMaze, and New American Paintings.

Collections include The Cowen Collection, London UK; Hogan Lovells, London UK; Start Museum, Beijing CH; Martin Nielsen Collection, Aalborg DK; White Space, Mordes Collection, West Palm Beach USA

Emma Fineman CV

“My research manifests itself in a series of gestural marks that sit somewhere between drawing and painting; between the quick note-to-self one makes to jot down an idea, and the more prolonged meditation on the parts of daily life that, for some unknowable reason, affix themselves to the back of one’s mind and kick about with an unnerving permanence. I am curious about the hints of dust that coat the surface of things, quick to take flight when rustled, that they might fill a lung, corrupt its function, and perhaps inform the body which imbibed it.”